![]() “They don’t seem to date they are original, we never followed any trend we simple wrote for our own pleasure. Gouldman attributes 10cc’s lasting appeal to the quality and individuality of the band’s songs. The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US.įollowing a 23-date UK tour in October-November, early 2015 will see the band play three concerts in Japan before a 12-date tour of major UK concert venues in February, when the first half of the show will feature the band performing the Sheet Music album in its entirety, with a special video contribution from Kevin Goidley.ġ0cc returns to London’s Royal Albert Hall on 28 May. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting. Meanwhile, a key element of the soundtrack to 2010’s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.ġ0cc has sold more than 30 million albums around the world and the band’s longevity is testament to their timeless songs, and reflecting Gouldman’s status as one of the world’s leading songwriters, he was inducted into America’s Songwriter’s Hall of Fame at a ceremony in New York in June. I’m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Testament to 10cc’s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling’s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. ![]() Vocally he can do everything Lol Creme and Eric Stewart ever did.For more information, please contact Entourage Talent:Īmong the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Instead I marvelled at the musical talents of Mick Wilson, who sings lead and backing vocals and plays guitar but is notable for his wonderful and active performance on the percussion. I would have screamed the place down if they’d played ‘Une nuit a Paris’ from the 1975 album I loved so much ‘The Original Soundtrack’ or better still, ‘Feel the benefit’ from the 1977 album ‘Deceptive Bends’. They also played some of the hit songs Graham Gouldman wrote for others in the 60s … ‘Bus stop’, ‘For your love’, ‘ No milk today’ … It would have been nice if for loyal, long-time 10cc fans they could have treated us to one or two of the epic album tracks. They played a set of what is essentially 10cc’s greatest hits … ‘Wall street shuffle’, ‘I’m not in love’, ‘Art for art’s sake’, ‘Donna’, ‘Rubber bullets’, ‘Life is a minestrone’, ‘The dean and I’ and so on. Their musicianship is a wonder to behold. The mighty Rick Fenn and Paul Burgess have been with 10cc from virtually the beginning of the band in the early 70s. To bill this band as Graham Gouldman and friends is to overlook the permanence of this line up. ![]() And so we have 10cc:Graham Gouldman and friends. Great songs like these need hearing live. It was a great band for most of its life and should be left at that, where it had some real meaning to all of us, fans and musicians alike.” I disagree. Original 10cc band member Eric Stewart says on his website: “10cc is well and truly finished as far as I am concerned, but I can’t guarantee that GG (Graham Gouldman) won’t try to squeeze the last drop of blood out of it. ![]() Their songs are so varied: sometimes emotional (‘I’m not in love’), sometimes nonsense (‘Life is a minestrone’), sometimes epic (‘I’m Mandy, fly me’) but always beautifully crafted with catchy tunes and riffs and with such attention to detail in, especially in their use of complex and fascinating percussion and note-perfect harmonies, that every listen reveals some new layer or musical gem. ![]() Especially as we managed to get front row tickets. Wonderful! So when we had the chance to see them again play last night at our local venue, Oxford’s New Theatre, we jumped at the chance. Last year we saw 10cc play at the Cropredy festival, billed as Graham Gouldman and friends. ![]()
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